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	<title>the fifi organization &#187; Janus Challenge</title>
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		<title>Janus Challenge Wrap-Up</title>
		<link>http://www.thefifiorganization.net/janus/the-wrap-up/</link>
		<comments>http://www.thefifiorganization.net/janus/the-wrap-up/#comments</comments>
		<pubDate>Sun, 24 Jan 2010 20:10:49 +0000</pubDate>
		<dc:creator>Jason</dc:creator>
				<category><![CDATA[Janus Challenge]]></category>
		<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://www.thefifiorganization.net/janus/janus-challenge-wrap-up/</guid>
		<description><![CDATA[Just joining us? For a list of all the articles in this series, click the Janus link in the header (or on the right). CLIPS COMPILATION We put in so many hours watching these films and writing about them (I&#8217;m estimating close to 400 hours or so for me alone) that we felt compelled to [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>Three Documentaries</title>
		<link>http://www.thefifiorganization.net/janus/three-documentaries/</link>
		<comments>http://www.thefifiorganization.net/janus/three-documentaries/#comments</comments>
		<pubDate>Mon, 14 Dec 2009 00:00:50 +0000</pubDate>
		<dc:creator>Jason</dc:creator>
				<category><![CDATA[Janus Challenge]]></category>

		<guid isPermaLink="false">http://www.thefifiorganization.net/?p=1959</guid>
		<description><![CDATA[BACKGROUND Incredible as it may seem, the end of this Janus series is fast approaching. We’ve seen films from around the world, directed by the masters of international cinema: Akira Kurosawa, Luis Buñuel, Michelangelo Antonioni, François Truffaut, Ingmar Bergman, Saul J. Turell… wait, what? Who is this Turell fellow, and what is he doing in [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Wild Strawberries</title>
		<link>http://www.thefifiorganization.net/janus/wild-strawberries/</link>
		<comments>http://www.thefifiorganization.net/janus/wild-strawberries/#comments</comments>
		<pubDate>Mon, 07 Dec 2009 00:00:54 +0000</pubDate>
		<dc:creator>Jason</dc:creator>
				<category><![CDATA[Janus Challenge]]></category>

		<guid isPermaLink="false">http://www.thefifiorganization.net/?p=1957</guid>
		<description><![CDATA[Director: Ingmar Bergman Country: Sweden Year: 1957 BACKGROUND Okay, seriously, now. This is our (quickly checks Janus set table of contents…) THIRD Bergman film! And only ONE Antonioni film? Only ONE Buñuel film? This might be my favorite of the three Bergmans, but I’m still not going to waste a lot of time writing this [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>The White Sheik</title>
		<link>http://www.thefifiorganization.net/janus/the-white-sheik/</link>
		<comments>http://www.thefifiorganization.net/janus/the-white-sheik/#comments</comments>
		<pubDate>Mon, 30 Nov 2009 00:00:27 +0000</pubDate>
		<dc:creator>Jason</dc:creator>
				<category><![CDATA[Janus Challenge]]></category>

		<guid isPermaLink="false">http://www.thefifiorganization.net/?p=1954</guid>
		<description><![CDATA[Director: Federico Fellini Country: Italy Year: 1952 “I would love to see a festival dedicated to first films. Sometimes they have nothing to do with the work that develops later, and sometimes the work never gets better. But sometimes you can see the hints of what would come later bursting through like an eruption from [...]]]></description>
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		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>The Wages of Fear</title>
		<link>http://www.thefifiorganization.net/janus/the-wages-of-fear/</link>
		<comments>http://www.thefifiorganization.net/janus/the-wages-of-fear/#comments</comments>
		<pubDate>Mon, 23 Nov 2009 00:00:18 +0000</pubDate>
		<dc:creator>Jason</dc:creator>
				<category><![CDATA[Janus Challenge]]></category>

		<guid isPermaLink="false">http://www.thefifiorganization.net/?p=1953</guid>
		<description><![CDATA[Director: Henri-Georges Clouzot Country: France Year: 1953 “You think that people are all good or all bad. You think that good means light and bad means night? But where does night end and light begin? Where is the borderline? Do you even know which side you belong on?”Dr Vorzet, Le Corbeau “Life has never been [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Viridiana</title>
		<link>http://www.thefifiorganization.net/janus/viridiana/</link>
		<comments>http://www.thefifiorganization.net/janus/viridiana/#comments</comments>
		<pubDate>Mon, 16 Nov 2009 00:00:40 +0000</pubDate>
		<dc:creator>Jason</dc:creator>
				<category><![CDATA[Janus Challenge]]></category>

		<guid isPermaLink="false">http://www.thefifiorganization.net/?p=1951</guid>
		<description><![CDATA[Director: Luis Buñuel Country: Spain Year: 1961 “The theme is that well-intended charity can often be badly misplaced by innocent, pious people. Therefore, beware of charity. That is the obvious moral that forms in this grim and tumorous tale of a beautiful young religious novice who gets into an unholy mess when she gives up [...]]]></description>
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		<slash:comments>4</slash:comments>
		</item>
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		<title>The Virgin Spring</title>
		<link>http://www.thefifiorganization.net/janus/the-virgin-spring/</link>
		<comments>http://www.thefifiorganization.net/janus/the-virgin-spring/#comments</comments>
		<pubDate>Mon, 09 Nov 2009 00:00:00 +0000</pubDate>
		<dc:creator>Jason</dc:creator>
				<category><![CDATA[Janus Challenge]]></category>

		<guid isPermaLink="false">http://www.thefifiorganization.net/?p=1949</guid>
		<description><![CDATA[I’ve already written about Bergman when we watched The Seventh Seal. Perhaps more to the point, I’m getting bored. Thus, I thought we’d try something a little different this week. I watched both The Virgin Spring and its unofficial 1972 remake, The Last House on the Left. Quite a double bill. First I’ll tell you [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Umberto D.</title>
		<link>http://www.thefifiorganization.net/janus/umberto-d/</link>
		<comments>http://www.thefifiorganization.net/janus/umberto-d/#comments</comments>
		<pubDate>Sun, 01 Nov 2009 18:00:20 +0000</pubDate>
		<dc:creator>Jason</dc:creator>
				<category><![CDATA[Janus Challenge]]></category>

		<guid isPermaLink="false">http://www.thefifiorganization.net/?p=1794</guid>
		<description><![CDATA[Director: Vittorio De Sica Country: Italy Year: 1952 “I’ve lost all my money on these films. They are not commercial. But I’m glad to lose it this way. To have for a souvenir of my life pictures like Umberto D. and The Bicycle Thief.”Vittorio De Sica “My films are a struggle against the absence of [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
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		<title>Ugetsu</title>
		<link>http://www.thefifiorganization.net/janus/ugetsu/</link>
		<comments>http://www.thefifiorganization.net/janus/ugetsu/#comments</comments>
		<pubDate>Mon, 26 Oct 2009 00:00:38 +0000</pubDate>
		<dc:creator>Jason</dc:creator>
				<category><![CDATA[Janus Challenge]]></category>

		<guid isPermaLink="false">http://www.thefifiorganization.net/?p=1791</guid>
		<description><![CDATA[Director: Kenji Mizoguchi Country: Japan Year: 1953 “Ugetsu is evocative of the Buddhist universe of Noh drama, where time is a movement of consciousness, memory is as tangible as the present, and the dead return to voice their grief or longing.”Pacific Film Archive “Ugetsu Monogatari is an exquisitely realized, serenely composed allegorical film on love, [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>The 39 Steps</title>
		<link>http://www.thefifiorganization.net/janus/the-39-steps/</link>
		<comments>http://www.thefifiorganization.net/janus/the-39-steps/#comments</comments>
		<pubDate>Mon, 19 Oct 2009 00:00:57 +0000</pubDate>
		<dc:creator>Jason</dc:creator>
				<category><![CDATA[Janus Challenge]]></category>

		<guid isPermaLink="false">http://www.thefifiorganization.net/?p=1789</guid>
		<description><![CDATA[“The length of a film should be directly related to the endurance of the human bladder.”Alfred Hitchcock “Some films are slices of life, mine are slices of cake.”Alfred Hitchcock “I beg permission to mention by name only four people who have given me the most affection, appreciation, and encouragement, and constant collaboration. The first of [...]]]></description>
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		<slash:comments>1</slash:comments>
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